You return to the area directly before the exit. The exit itself is a rather simple wooden door, which is much less dramatic than you expected it to be. You lay out the clues you’ve collected while traversing this maze.
KLAIR
So! An article from World War Two, a pilot’s cap and goggles, a photo album, a French passport, a death notification and some love letters.
ISSAC
Let's crack this shit open.
BONNIE
Um... well, we can surmise that Nick and Jacob are the ones in the photo album. And... that they were in love.
KLAIR
Deeply so. And Jacob died in the war, and, uh, I guess the newspaper article tells us Nick lived?
BAI
But not for very long, if he's here!
ISSAC
Shut the fuck up, man.
BONNIE
Um... he was probably a pilot for the English army? I'm just guessing here, though.
ISSAC
Y-Yeah. I don't know why we'd have the article if... if Nick didn't serve or anything.
KLAIR
But how did his ghost wind up here? Bai, do you have to die here to become a ghost in here?
BAI
You do have to die in here to become a ghost, yes! However, this House is not bound by time nor space. Just as time works differently within here than outside, space does as well - this House traverses in all ways. While it does have a true home somewhere, the power from the living dying here gives it the ability to teleport, allowing it to lure in more... people.
ISSAC
So this place really HASN'T been in those woods the whole time!
KLAIR
Okay. So he was... a gay French World War Two pilot.
ISSAC
Heh. Gay.
BONNIE
Come on. There's not even anything funny about that.
ISSAC
It's funny because he's gay.
KLAIR
You're literally a gay man in a romantic relationship with another gay man. The latter who, by the way, we're in here to rescue.
ISSAC
I can still think being gay is funny.
BONNIE
Whatever. Are we ready to, uh, go?
BAI
Oh! I wish to fight with you on this one, by the way.
ISSAC
Thanks for the vote of fucking confidence there, twinkles. What, you think we can't take this guy on?
BAI
Not a snowball's chance in Hell!
KLAIR
...O-Okay. Let's, uh... go.